Aesthetics, Digital Studies and Bernard Stiegler

Noel Fitzpatrick (Editor), Néill O'Dwyer (Editor), Michael O'Hara (Editor)

$130.00

Publication Date: August 26th, 2021

Publisher:

Bloomsbury Publishing PLC

ISBN:

9781501356353

Pages:

224

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Description

Aesthetics, Digital Studies and Bernard Stieglerframes the intertwined relationship between artistic endeavours and scientific fields and their sociopolitical implications. Each chapter is either an explication of, or a critique of, some aspect of Bernard Stiegler's technological philosophy; as it is his technological-political-aesthetical-ethical theorisations which form the philosophical foundation of the volume.

Emerging scholars bring critical new reflections to the subject area, while more established academics, researchers and practitioners outline the mutating nature of aesthetics within historical and theoretical frameworks. Not only is interdisciplinarity a prevailing topic at work within this collection, but so too is there a delineation of the mutating, hybrid role inhabited by the arts practitioner - at once engineer, scientist and artist - in the changing landscape of digital cultural production.

About the Author

Noel Fitzpatrick is the Head of Research at the College of Arts and Tourism at Technological University Dublin, Ireland, and the Dean of the Graduate School of Creative Arts and Media. He is regularly invited to speak at, and host, seminars internationally and is visiting lecturer at Saint Lucas University, Antwerp, Belgium. Noel is a member of Ars Industrialis, (Founded by Bernard Stiegler) and is a founding member of the Digital Studies network at the l'institut de recherche et innovation (IRI) at the Pompidou Centre in Paris. He is also the co-editor of the journal inprint. Néill O'Dwyer is an artist and practice-based research fellow at the Arts Technology Research Lab, in the Department of Drama, at Trinity College Dublin, Ireland. He is a co-editor of The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real (2015). He is a member of the international Digital Studies Network initiated by the Institute of Research and Innovation, at the Pompidou Centre, and he is an associate researcher of the Graduate School of Creative Arts and Media. Michael O'Hara is an artist and a Lecturer in Sculpture at Technological University Dublin, Ireland. He has been an active researcher with both the Aesthetics Seminar Group and Digital Studies Group for the past six years. His main research interests include developing a phenomenology of digital technologies that critically analyses the materiality of such technologies. Specifically, he is interested in how digital technologies foreground computation as a governing principal that both mediate and cultivate new types of object relations.